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Waylon Jennings - 5 Original Album Classics (2008) [FLAC] (Boxset 5-Disc-Set RCA

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Waylon Jennings - 5 Original Album Classics (2008) [FLAC] (Boxset 5-Disc-Set RCA

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Vinyls 16/44.1 (RCA) R. Wahner Lohengrin [Leinsdorf] (1965)

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HD-Vinyl 24/96 (RCA) C. Saint-Saens Samson & Dalilah Highlights (1959)

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High-End Vinyl 24/96 (RCA) M. Mussorgsky Pictures at an exhibition [Reiner] (19

Ladies and Gentlemen, here is the mother of all pictures recordings. At today, no other pictures production was able to beat Maestro Reiner and his Chicago Symphony Orchestra: good speed, real dramatical atmosphere, perfect tempo and a magnificent sound.
After 53 (!) years there is nothing new under the sun, the masters of recording productions from the golden age 50s and 60s knew how to do it:


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High-End Vinyl 24/96 (RCA) M. Mussorgsky Pictures at an exhibition [Reiner] (19

Ladies and Gentlemen, here is the mother of all pictures recordings. At today, no other pictures production was able to beat Maestro Reiner and his Chicago Symphony Orchestra: good speed, real dramatical atmosphere, perfect tempo and a magnificent sound.
After 53 (!) years there is nothing new under the sun, the masters of recording productions from the golden age 50s and 60s knew how to do it:
THE MAGIC AND PERFECT SOUND.
Listen to this and believe it: the recording was made in 1958.
One of the most expensive vinyl records by RCA LIVING STEREO, if in near mint condition and early pressing.


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High-End Vinyl 24/96 (RCA) M. Mussorgsky Pictures at an exhibition [Reiner] (19

Ladies and Gentlemen, here is the mother of all pictures recordings. At today, no other pictures production was able to beat Maestro Reiner and his Chicago Symphony Orchestra: good speed, real dramatical atmosphere, perfect tempo and a magnificent sound.
After 53 (!) years there is nothing new under the sun, the masters of recording productions from the golden age 50s and 60s knew how to do it:
THE MAGIC AND PERFECT SOUND.
Listen to this and believe it: the recording was made in 1958.
One of the most expensive vinyl records by RCA LIVING STEREO, if in near mint condition and early pressing.


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HD-Vinyl 24/192 (RCA) N. Rimsky-Korsakoff Scheherazade [Reiner] (1959-1995)

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HD-Tapes 24/192 (RCA-HDTT) W. A. Mozart Violin Concerto No. 3/Clarinet Concerto

Mozart wrote this concerto near the end of his life for his friend Anton Stadler, whom he had met in 1781. Stadler was an excellent clarinettist, and Mozart took advantage of both his performer's skill and new technical developments in the clarinet to create a rich, powerful work that to this day remains foremost among all clarinet concertos in the hearts of both musicians and audiences. Jack Brymer's lush tone suits the piece perfectly, and the Royal Philharmonic Orchestra provide just the right level of excitement.


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HD-Vinyl 24/96 (RCA) J. Offenbach Offenbach in America (1959-1995)

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HD-Tape Transfers 24192 (RCA) L. van Beethoven - Symphony No. 9 [Reiner] (1961-2

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VA - RCA Victor 80th Anniversary [9-CD BOX SET] (1997)

This is an attractive eight-CD set, whose discs are also available as eight separate releases, that could have been a great reissue but settled for being merely quite good. To celebrate the 80th anniversary of the first jazz recording, RCA released a disc apiece covering each of the past eight decades. In listening to the music straight through, one becomes aware of RCA's strengths and weaknesses as a jazz label. Victor was one of the most important jazz labels during the 1920s, '30s and '40s, catching on to bebop a little late (1946) but still documenting many classic recordings. By the 1950s, the label's attention was wandering elsewhere; it missed free jazz almost completely in the '60s, and in the last three decades has only had a few significant artists, mostly Young Lions whose output sounds conservative compared to the earlier masters. This reissue is particularly strong during the first three discs, and then for some reason (starting with disc four) commits a major error in departing from programming the music in strict chronological order (although each disc does stay within the ten-year period). Also, the selection of the performances is much better in the earlier decades (especially the 1917-29 set) than during the past two decades. There are many highlights throughout the large undertaking, with such artists as the Original Dixieland Jazz Band, Jelly Roll Morton, Fletcher Henderson, Duke Ellington, King Oliver, Louis Armstrong, Cab Calloway, Benny Goodman, Glenn Miller, Coleman Hawkins, Dizzy Gillespie, Benny Carter, Art Tatum, Charles Mingus, Red Allen, Bud Powell, Sonny Rollins, Buddy Rich, Gil Evans, the Brecker Brothers, Roy Hargrove, Marcus Roberts, Steve Coleman and Dominique Eade among the many represented. In addition, a "bonus" disc has two numbers by the ODJB (including for the second time "Livery Stable Blues") and a previously unreleased Mingus dramatic piece "A Colloquial Dream." If only some better planning had gone into the later discs.


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Porter Wagoner - Thin Man From The West Plains: The Rca Sessions 1952-1962 (1993

From a cover of "Settin' the Woods on Fire" in September 1952 to "Blue House Painted White" in August of 1962 this four-CD set is a priceless overview of the best part of Porter Wagoner's career. Disc one features his earliest stuff most of which is solid honky tonk material sung in Hank Williams' style. Most of it disappeared without a trace at the time but it's all extremely enjoyable and shows some of Wagoner's versatility. His own sound as it developed on the later songs on disc one and all of disc two is more backwoods with a strong folk component but also beautifully harmonized. Wagoner's most striking attribute was the sheer joy evident in his singing and playing whether he was doing a deeply religious number ("What Would You Do") or a loving tribute to Bill Monroe ("Uncle Pen"). He was equally comfortable with bluegrass and also country-blues as is clear from the previously unissued "My Brand of Blues" where he sounds a lot like Johnny Cash. Disc three shows Wagoner working in a smoother more sentimental and commercial country-pop-oriented vein but as late as 1959 he was still doing wonderfully exuberant numbers. Disc four covers the early '60s the period during which Wagoner continued to merge the stripped-down country of his roots and the smooth Nashville sound. Among the outtakes released for the first time is "Private Little World" featuring a killer guitar solo totally unexpected in a romantic number like this. The accompanying book is informative though not as well organized as the usual Bear Family notes.


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Middle Of The Road - The RCA Years (2010)

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Middle Of The Road - The RCA Years (2010)

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